Professional Partnerships:


StageOne Sound has long established relationships with some of Australia’s leading Sound Supervisors / Designers, Re-Recording Mixers and Foley / ADR Facilities. We believe that by working with and trusting in those people that have personally invested in the Australian Sound Post Industry and allowing each other’s strengths to shine enables each of us to concentrate on what our core strengths are. Our forte is Sound Mixing, Deliveries, Optical Sound Negatives and film, tape and digital delivery; our professional partnerships are with experienced, dedicated and passionate filmmakers who have excelled in their chosen craft.

Re-Recording Mixers, Sound Supervisors / Designers, & Sound Crews, – We can provide an extensive list and advice on choosing the right crew for your production and story, or assemble and package a crew of experienced, multi awarded Re-Recording Mixers, Sound Supervisors, Designers, Editors, Foley Artists and Assistants to cater for any size project. (See below)

ADR & Foley – We can provide packages and advice or contact with trusted and respected studios throughout Sydney and Australia We can provide details, contacts and advice to record your ADR anywhere in the world from New Zealand to LA to London to Hong Kong.(See below)

 

 

Sound Supervision & Design:


BIG BANG SOUND DESIGN: Wayne Pashley
Credits Include: “Legend Of The Guardians”, “Uninhabited”, “Daybreakers”,  “Australia”, “Happy Feet”, “Tempted”, “Babe 2 – Pig In the City”, “The Piano”, “Lorenzo’s Oil”, “The Final Winter”, “September”, “Strictly Ballroom”,
Website: bigbangsound.com.au


BIG EARS PRODUCTIONS: Sam Petty
Credits Include: “Animal Kingdom”, “Miracle Fish”, “Balibo”, “Disgrace”, “Romulus My Father”, “Global Haywire”, “Little Fish”, “Somersault”, “The Boys”
IMDB


HUZZAH SOUND: Andrew Plain
Credits Include: “Tomorrow When The War Began”, “Knowing”, “Death Defying Acts”, “Jindabyne”, “Candy”, “In The Cut”, “Anacondas”, “Charlotte Gray”, “Perfume”, “Map Of The Human Heart”,
Website: huzzahsound.com


LIAM EGAN SOUND DESIGN: Liam Egan
Credits Include: “Beneath Hill 60”, “Samson & Delilah”, “Prime Mover”, “Clubland”, “Little Fish”, “Dirty Deeds”, “Babe 2 - Pig In The City”
IMDB

 

 

Re-Recording Mixers:


GETHIN CREAGH:
Credits Include: “Oranges & Sunshine”, “Tomorrow When The War Began”, “The Warrior Way”, “The Last Ride”, “Home by Christmas”, “Death Defying Acts”, “The World’s Fastest Indian”, “Lord Of The Rings: The Two Towers & Fellowship Of The Ring”, “Snow Falling On Cedars”, “Gallipoli”.


GREG FITZGERALD:
Credits Include: “September”, “Happy Feet”, “The Nugget”, “Charlotte Gray”, “Bombora”, “First Australians”, “Great Australian Albums”, “Tempted”, “The Well”.


PHIL HEYWOOD: Louder Down Under
Credits Include: “Legend Of The Guardians”, “Daybreakers”, “Balibo”, “Knowing”, “Australia”,  “Happy Feet”, “Unfinished Sky”, “Two Hands”, “The Truman Show”, “Lightning Jack”, “Evil Angels”, “Heatwave”, “The Year Of Living Dangerously”, “Breaker Morant”.


ROB MACKENZIE:
Credits Include: “Sleeping Beauty”, “Don’t Be Afraid Of The Dark”, “Animal Kingdom”, “Blessed”, “Not Quite Hollywood”, “Forbidden Kingdom”, “Long Weekend”, “and Kung Fu Hustle”.


IAN McLOUGHLIN: IMC Productions
Credits Include: “The Blue Mansion”, “Accidents Happen”, “The Magician”, “The Forbidden Kingdom”, “Candy”, “Clubland”, “Kung Fu Hussle”, “Rabbit Proof fence”, “Dark City”, “Romeo and Juliet”, “Babe”, “Lorenzo’s Oil”, “Strictly Ballroom”.


PETER PURCELL:
Credits Include: “A Heartbeat Away”, “The Waiting City”, “Australia’, “Happy Feet”, “Animalia”, “Farscape”, “The Hard Word”, “Sea Patrol”, “Two Twisted”, “Police rescue”, “Come In Spinner”.


MARTIN OSWIN: Redline Sound Studios
Credits Include: “Fortune”, “Acolytes”, “Happy Feet”, “In The Cut”, “The Crocodile Hunter”, “Lantana”, “Oscar and Lucinda”, “Little Women”, “The Russia House”, and “Young Einstein”.


PETER SMITH:
Credits Include: “Legend Of The Guardians”, “Uninhabited”, “Rogue”, “Disgrace”, “Wolf Creek”, “Tempted”, “Charlotte Gray”, ‘Babe 2 - Pig In The City”, “Look Both Ways”, “Anacondas”.


ROBERT SULLIVAN:
Credits Include: “Tomorrow When The War Began”, “Beneath Hill 60”, “Knowing”, “Happy Feet”, “Jindabyne”, “Dirty Deeds”, “Charlotte Gray”, “Lantana”, “Acolytes”, “Danny Deckchair”.

 

 

ADR & Foley (Sydney):  


REDLINE SOUND STUDIOS:
One of the world’s premier ADR / Foley recording rooms with over 20 years of Local and International credits.
Owned and operated by Martin Oswin, a Re-Recording Mixer with over 30 years of feature credits to his name.

  • ProTools HD based recording via a TL Audio M3 valve console with non-linear pictures.
    Large, acoustically dead recording room (270 cubic meters) allowing real perspective to be recorded on both ADR and Foley.
  • Extensive microphone inventory.
  • In-built Foley pits and large props collection.
  • Double door access, allowing large props such as cars, boats, and caravans etc to be brought into the studio.
  • Large Screen Projection.
  • ADR cueing systems (EdiCue & EdiPrompt)
  • FTP & Source Connect Pro Internet Services (additional to Rate) for fast delivery of recorded sessions.
    Client Lounge & Kitchen.
  • On-Site parking.


Studio Credits Include: “Australia”, “Happy Feet”, “Lord Of The Rings” trilogy, “Thunderbirds”, “Dead Calm”
Website: redlinesoundstudios.com.au

 


FEET’n’FRAMES:
Owned and operated by John Simpson. A unique, remote recording studio located outside of Adelaide in South Australia. Specializing in Foley, wild FX recording and unique exterior Foley Recording to picture including vehicles, animals and sound design elements.
FTP Internet delivery service.
Studio Credits Include: “Australia”, “Happy Feet”, “Rogue”, “King Kong”, “Macbeth”, “The World’s Fastest Indian”

 

 

Up & Coming: Young Sound Editors / Designers and Re-Recording Mixers:


We take pride in the relationships we are establishing with educational facilities including the Australian
Film, Television and Radio School, TAFE Collages and independent new talent and our efforts in             
encouraging young Sound Editors / Designers and Re-Recording Mixers to involve themselves with    
StageOne Sound through work experience, attachments and internships.

These people are the future of our industry, and our business. If your project can’t quite afford the best, we are proud to work as a team, utilizing our in-house experience to promote and foster this new talent, helping productions large and small get sound results while discovering new talent.